a part of Joshua

my name is Joshua Brubeck and i am a creation of my illusory imagination; like a fictional man, with confusing facts, multiple personalities and a fear of foreignness. i am twenty-six years old with coffee colored hair, a passivity to glamor and self-regarded scholarship. i buy four dress shirts per year, one pair of gray trousers, a woolen muffler from a local yarn shop and three sweaters. i wear orange-striped tennis shoes to work in my laboratory that fit my twill socks perfectly around the diameter of my heels. and my other material fascination is with fragrance and perfumery; a musky aroma from Tiffany and Co. that i carry around in pockets of my pits, the atlas vertebra of my neck and the two leaves of my shirt collar.

i like to improvise on the piano when i get tired of playing Mozart or Gershwin or Berlioz, for that matter; typically starting in A minor and invariably ending in C major. it usually involves some intense trills, some discontinuous arpeggios, elaborate scale runs and irregular chord patterns. i will admit that i have an odd obsession with the way crescendos sound. the way they erupt in the belly of my cochlea and spiral springily to the webs in my brain, i feel entirely dumbfounded, humbled and muted. my other infatuation is with an arrhythmic pulsing of my finger tips on the ivorine plastic of piano keys; when i feel my heart beating erratically, puzzlingly, discontinuously and forcefully, as if creeping and crawling out of a gooey salt marsh to leaping on a quintal of air beds and sprinting to the brink of an outer stratosphere.

the critical passer-by or the experienced bourgeois will compare my music to that of the dead geniuses. the Remsburgs will say, it sounds too much like Liszt or Sharla Romer will remark on the elements of Bach-so-and-so. but i am not thinking about Liszt or Bach while i improvise the tune; coincidental similarities are not necessarily causal influences and should not be my concern. this melody is the procreation of my neuronal circuitry, the embellishment of my ulnar sockets, the epilogue of my creative art; this is a slice of me. every note, every rest, every modulation and modality is an outcome of my brain cells firing, toggling and warbling with each other; an outcome of my pulsating arteries jiggling and jittering in the temperature and firewall of a compositional milieu streaming directly and consciously from the crown of my identity. i feel the chaos of compressions and rarefactions against the dents of my lateral sphenoids; the pressure pulses created by my resonating motifs gibbering to the sky, humming to the corner automobiles and preening on the patios of churlish neighbors. restless with confusion, dreary with monotony, i re-give a personal cheer, one of my own, bare-exposed to the gnarly fangs of greed and malicious contempt. in creating, i will admit, there is an unexplainable comfort. there is a snug sense of monopoly and self, attached to the skin of the final outcome. this is, perhaps, a consequence of a monophasic desire to be singled out and remembered, to be held in an eye for the unique experience. to be given an esteem-able valuation and set free on the edges of a creative furor, gyrating and discerning behind the silence of a glass wall. i am not apologetic for this penetrable craving, but perhaps it is the voice of the fictional man.

when people ask me where i am from originally, to some i say Cambodia, or India and to others i say Indiana or Delaware. when people ask me what i do for a living, to some i say, a financial analyst at Morgan Stanley, a dual-degree MD/MBA student at Columbia University or Psychology graduate student at the New School and to others i say, a philosopher at Crown Heights writing a text book in Informal Logic on the virtues of argumentation from an amoral analyst's perspective. this hibernation and circularity of identities, this duplicity of personal history is an exhausting game to be continuously playing. the weirdest and most surprising part, however, is the naturalness with which the deceitful concoction perfuses from the tip of my tongue. it starts with a warm, insidious spark in the right corner of my hypothalamus and leaks into the embroidery of my cavernous cerbellum, from where the itchy, cable-car electricity flairs to the root of my cranial florets, slides down a bundle of narrow, vascular arterioles, knocks on the mid-riff of my mucosal pharynx and darts to the tip of my punctuate taste receptors, biting ghoulishly at musculature to reach the tip of my tongue. and from there the words, the sounds, the graphemes and phonetics dive into a thin nest of huddling dust rings, bugles of air, and pools of fluorine in a smoky, mercurial splash. the sound is gone, absorbed by hair cells of radiating frequencies in the innermost chamber of ear anatomies, triggering a re-rattle of particulate matter and fueling the wheel of infinite resonance. this is how my biographies travel, from person to person, time to time. this is how i am a thousand people, little edges and speckles of put-together puzzles on the road of a parallel existence. keeping track of my many narratives comes with its layers of difficulties, adjustments and unrehearsed spontaneity. there are tears involved, quite evidently, along with severe heart thumps, geysers of adrenaline, tattletales and lies. but lying becomes the new convention, the new trademark, the new reality, molded synchronously, tied quizzically, like spinning reels of basket weaving, formulated in my brain. the lie becomes the new truth, the architecture of a new reality; like an overlooked memory hauled from the ancient book of self-history. it is a tangible vernacular; it all makes sense and has meaning to me. but i am not apologetic, and never will be.

none of this is to say that slips do not happen. Stacy Sullivan, for example, saw me at a Madison Avenue bodega last Monday and shrieked palpably, in her normal voice, about her imminent confusion when she discovered that my LinkedIn profile listed me as a lawyer at Braverman and Associates. she has known me as a medico-business student for fourteen months, and has been curious to know if it was an internet 'mistake' or she remembered the crucial detail incorrectly. my stance has continued to remain unquestioned, however, and the double standards of this situation brings on my face a satisfying grin. Callan Koster, the penthouse manager of my tenement apartment, mentioned something enticingly similar after my sprint in Riverside Park last Tuesday. Carter Capehart and Bryne Danziger caught me off-guard during Shabbat Kodesh at Temple Emanu-El, questioning my confessed atheism, nonchalance to Judaism and the lineage of my immediate family. and Irene Cohen, last Friday, broke into a fit of unstoppable perspiration when she saw me leave my apartment door holding hands with a boy, instead of Edna Gerstein -my marriageable beloved. while collecting mail on Sunday, we locked eyes, awkwardly, and she hesitantly asked me, almost with a splutter, by the gilded banister, was that your true love? your real love, Joshua?

when you lead a duplicitous life like mine, poking and prodding, creasing and hoarding around the gentle edges of your social fabric, how do you answer the question of whether your love is real, whether your love is true? perhaps, you cannot. perhaps, you are unable to. perhaps you make yourself believe that you do, right now, at the snap of an instant, but it is an ever-morphing phenomenon with its multiple shades, facets, hues and colors. even with a poly-chromic life and irreverent biography, the piercing twinge of longing and desirability, deeply mammalian and evolutionarily primal, continues to burn through my house of blood, my emotive pitch, the intensity of my hominid luminescences. i am learning to love, i am learning to sing, and i am learning to speak about one stanza of living, that is genuinely true, crystalline real, and outside of the theater box.

a short recollection

one use of social media that remains behind the limelight, in a mechanical hush-hush, is that of the conveyor of death news. overtaking the job of the elusive postmaster from the golden era of paper mail, this avenue, rather, this route of social media is a bold spin-off. uncalled for, perhaps, but in careful existence; brash alertness and dreadful alarm, matter-of-fact and dispassionate.

the rabble-rousing, ruminating siren went off before my eyes, Tuesday night, with the circuitous rollicking of elegies, outcries, outpourings, down-pourings, remembrances, confessions and hysteria. Christopher, my chum from college, is dead. his blood cells were awry, imposing and misbehaving to a point where they needed help from brother cells, and in spite of a temporary fix, the hullabaloo never went away. this led to severe physical constraints, mellowing of humor, a daily worry, indecent consumption of ATP and glucose, perhaps even bodily nitrogenous substances leading to a severe internal atrophy where the boy became, merely, a conflation of chaotic biological processes capped with the essence of a personhood. but the liveliness was unfazed, the spirit of cheerfulness untouched and the population of smile preserved. when physiology and pathology collide in devilish throes of chance, the foundation of routine disrupts. the needle of the spinning top, keeping alive the breaths and pulse of a nurtured existence, slip and slide, against the effect of lawless gyroscopics, and come to a halt. the cartons and crates of the human machine fold, in and of itself, into a tidy molecule, to be later stowed away on the sleeve of a memory. and that is the end of human x; now a statistic, a collage of photographs, a foliage of thoughts, but above all, back to being a part of Nature's maniacal carbon treadmill.

you may call this train of thought inappropriate, belittling or even inconsiderate. you may emphasize the point that x is now in a 'better' place and you could possibly be right. i cannot, however, make that visceral separation or, rather, transposition to a heaven or a hell that does not exist in my closet. to maintain a serene sense of tangibility, then, x gets recycled in Nature's machinery and continues to exist in my planet as carbon sub-structures; perhaps as nutrients for bacteria, plants or crustaceans that cradle up the food web in conspicuous bellies or as fuel for volcanoes. who knows? i do not. but this non-other worldly existence brings about in me a sense of closure, while minimizing a feeling of ungraspable loss, division and piercing numbness. when i think of x, i look at a lump of clay and find in there a peaceable home for an ex-presence, with nanometer arms and whiffling aromas percussing around its amorphous boundaries. perhaps the idea is semi-humanoid, this envisioning of a person in the middle of an organic soup. but the broader scope lies in explaining the origin and demise of human animals within the spectrum of a touchable, liveable, adventure-loving Nature. this brings me comfort, composure and an impetus to carry-on.

the financier

my mind is whirring on the collarbone of the public transit vehicle, during my afternoon commute from Pink City to White Marsh. it has been a prompt take-off from the South corner of 11th Avenue and we have driven past a pair of bicyclists, a homeless Bencini, a Carolina pantaloon, a frayed Bengals pennant, and a pregnant mother chewing on a grilled shrimp sandwich. for reasons even unknown to myself i am carrying a postcard from 1923. it is Klimt's tree of life; with curious brown concentric circles twiddling against a parched canvas, bulletined and patched with tremendous speckles of humanity, love and Egypt. somehow, the botanical connection of mammalian evolution and the simplification of a leviathan conceptual complexity of the history of humanity to the level of a tree, has left me dissatisfied; to an extent, largely unfulfilled. in science, as in other areas of specialty, too much emphasis is laid on perfect explanations, simplicity and a tidiness of theorizing. the world, and life at large, are messy and anyone who says otherwise makes me nervous. makes me feel an artificiality in the thread of reasoning, and i sit down and agree because circumstance and inevitability compel me to do so. many of us are peculiar neo-Darwinians -prattling on a self-effacing circuitry of a godly creationist, a Proustian recollection and Dawkins -but without reason, rationale and conviction. we are led to believe by either the hounding Right-winged man or the country libertarian on the brink of a rolling collusion, clashing and exploding in the temperature of disagreement to only be left with a hymn of pleas, obscurity and semi-truths. this is an aside, however, but an important seed of my neuroticism.

the sky looks a little unsettled today; like my favorite Kandinsky art of the white dot. a patch of stratus clouds are meandering on the left field of my myopic panorama, in a slovenly turn of an incomplete 9, whispering to a rainbow, perhaps, and singing a Pebbles song -mother army- to the nearby cosmos. on the right ring, is the unison of a cirrus pattern; like a tertiary brigade devolving and frittering into a half-eaten doughnut, wheeling and carting in high-frequency whistles to the point of exhaustion. but the drop-ules, like drop-lets, never tire in their duty to a mathematical infinity. the rest of the clouds form a network of guitar strings, reciting aloud, to a bolting airplane, the love song of J. Alfred Prufrock. what peers through the triangular wiggle of the central emptiness is the right eye of a sunset, almost 76 years old, fifty feet tall and ten feet wide.

there is a Joe Bertrand sitting to my right, listening to soundtracks from Bonnie & Clyde, loudly, on large Bose headphones. i imagine he is not a day older than 28, but has a certain maturity about him. a dark brown Elvis hairdo, artificially whitened teeth, ultra-thin nose, delicately crusted cheekbones and cobalt blue eyes make up the facial particulars of the young financier. he is playing Candy Crush Saga on the large screen of his phone and occasionally screaming out, 'what a fucking idiot!' after 24 minutes of one-sided banter i turn to him and say, when did you graduate college? interrupted and violated by human interaction he says, two years ago from Stony Brook, what about you? last year. and then i pause, and smile, and scratch the scruff of my dotted orange left sock and say, so what do you do now? he produces an answer with a spectacular amount of jargon from which i can identify the words equity, interest, profit and loan. he sounds rather metallic and non-spontaneous, quite tacitly rehearsed. the goal is to work with a select pool of people to make them wealthier; it comes with a lot of perks, you know? yes, i know. and i can imagine the 'perks' of your polished limousine, the silver tickets and platinum memberships, the specialist terrain of Melville living, a credit chauffeur, a hand-laden Ferris Wheel of glamorous twinkles, and with it the shamelessness of profiteering, the dissolution of a fraudulent magpie, the irrelevance of a hunger crisis, the cold-shoulder engineering of a green Utopia, steering on a monumental disgrace of your personal multiplication, your self-lionization and cantilevered stardom at the arrest of universal suffering. to me you are a sly, self-aggrandizing thief who displays arrogance in the name of professionalism, deceit in the domain of conviction, fraudulence in the name of customer service. your heart is of a burnt polyester, ribbed and corrugated around the edges, hardened with sulfur, and dipped in a Burlington opioid of sinister luxury. 

i am restless. i am angry and in the middle of a civil pretense with my fellow financier. i feel the insides of my brain fluttering with spasms, whirring like a hurricane, hissing like a serpent, bleating like a sheep, shrieking like a widow, and screaming and shouting to the roof of my skull. i sweat through the pores of my inner skin, oozing resin, salts and camphor oil. i am harrowed by the mono-molecularity of a corporate vision, triumphing over the cause of a microbial venule, slithering in a door of violent collapse. you cannot be so selfish, so self-righteous, so self-sufficing to think about the upgrade of a privileged eternity, sacrificing with your hunger a usual love, a celebration of dimes and the pedagogy of orphans. 

to all of which you say, money is what brings us ultimate joy -would you agree? i am smiling, courteously, and wishing you the very best in your future of stealth. my eyes shift focus to the cumulus Kandinsky; trotting to the tune of a Sunday mazurka repelling in the embrace of a Southern sky. 

castleford

i have moved to the city of new york three years ago from Castleford, Idaho. a small, rural, empty town of three hundred people, persistent dissatisfaction and negative aspirations. we are evenly gendered; with a modest household income of thirty five thousand and forty seven dollars. there are seven churches of three denominations, a deserted synagogue and a decrepit rectory, which was once the home of Father Cecil who molested a fourteen year old boy in a nearby sanctuary the summer of 2002 and went to jail in Arbon Valley. no one has seen or heard anything about him since then, and it is better that way since he was a brutish individual with an overdose of self-ego who would beat people up whenever he got a chance.

we have our own high school at the edge of town, with a serious teen-pregnancy scare and installment of poor scholarship that pushes our students into aimlessness rather than motivating them to pursue higher education. the football boys want to farm, the swimmers want to be cashiers at the Walmart in Buhl, and the non-affiliates of the athletic bandwagon are left to decide for themselves how they want to spend the rest of their lives; in the shadows of a quicksand-esque familiarity or to knuckle through a hyper-polymeric bubble of unclear establishment on the brink of a new life. art billington, local hero and charity lord, encouraged me to choose the latter ever since my parents disappeared with the drug dealers from Clark Fork to indulge in the trade, and lead better, care-free lives, when i was fifteen. it didn't matter much to me, since i was never close to them. no emotions were ever displayed, and no difficulties were ever talked about. but i missed their presence, and my mother's huckleberry pancakes, Russet fries, and pheasant casseroles that she made every other Saturday.

the motto during my upbringing, after my mother lived through seven miscarriages and a stillborn, was to make of me an independent man; without any community strings, religious beliefs and political hunches. it was always feared that i would run away with a conniving blonde from Hayden Lake, especially the one i had been eying on at Tcby for almost a year, or a jock from Kooskia to either San Francisco or Portland and never go back to Castleford and so my parents needed supreme disclosure of my whereabouts at any given moment in time. what happened as a result of their constant hyper-vigilance was that i missed out on how to read social cues. i had very few social interactions to begin with anyway. my parents had no friends, which did not help. i was the 'colored boy' with potato skin who no one cared to talk to other than during lunch at the north corner of the school cafeteria, a non-resident asylum seeker who was a drain on the Nation's economy and stealing opportunities from the real Americans, and most importantly, that i was extremely obese and therefore must automatically have been lazy, selfish and greedy.

art billington, an ex-Wall Street analyst, forty-five and plump, has been my constant source of encouragement in the withering, ruffling town of Castleford. he spotted me by a convenience store restroom, in the fall of 2004, with my copy of Animal Farm and articulated a friendly chatter. his son had run away to Bellevue, Washington, to become a yoga instructor after a plummeted failure in the fashion industry and his wife had died of Lou Gehrig's the year before. he was looking for a 'replacement son' to coach, with the eventual hope of becoming the father of an astrophysicist or a computational geo-chemist. we bonded easily, since then; discussing philosophy, Proust, geometry, circuits and aeronautics in the evenings on his porch with the clouds unfolding over whistling ocher skies, scuttling in zigzags over the faint pencil sketch of a quivering horizon. he bribed me with fourteen dollars every time i earned an A+ on a test, egging me on to self-educate, self-discipline and to self-motivate in pursuit of scholarship; incentivizing a concerted leap on to the linoleum patch of an angry city, far away from the threads of collapsible rhododendrons by the Schoth's, the tensile zizzing of the Wells' divorce, small talk at the Howard's, and the general consumptive milieu of a non-ambitious stagnation oiling the mechanics of a dead society, pooling and freezing the recoil of minds, the ladder of dreams, and the consonance of desires.

on a tuesday night in September 2010, art takes me to the Starbucks on Filer Avenue in Twin Falls, 24 miles east of Castleford. he orders a Grande dark roast for himself and a Tall mild roast for me, pays it off with a hazy blue-and-white Visa debit card, holds the drinks by the coffee sleeves, sneers at the barista's 'Fair Trade Coffee' button, and proceeds to the milk stand by the door entrance. he pours a little skim milk and empties out half a packet of Raw Sugar on his own drink, and adds some Half and Half to mine, and stirs both drinks simultaneously, anti-synchronously in sporadic jerks and jitters and walks over to our Harvest Cherry colored table in the south corner. he looks very confused, distant and disturbed today and is muttering something under his breath. five minutes later he looks at me and says, Daniel, if someone doesn't appreciate you and love you for who you are, then fuck them. you've got one shot at being yourself, play it out brother. do you understand, Daniel? This is no joke. i want you to be yourself and become powerful and invincible and successful in a way that no one can touch you or bully you or piss on you like they do here. go to new york city and live with theresa and create a new life. theresa will help. i'll call her and let her know you're going. theresa is art's half-sister of Polynesian descent, a double-divorcee and an attorney.

it was his dead wife's sixty third birthday that tuesday night, i later found out, as we drove back into a familiar darkness of everyday life in Castleford, with a symphony of aphids, crickets and pallid-winged grasshoppers ululating in the woods, a mouthful of winds gurgling over the valley, a feminine racket of distant sirens, a collage of stars in the cavity of the night sky, the giggling of water streams, and a temporal shroud of a solitary longing, curried and peeled at the perimeter of my hallucinating township; out in the ream of a divergent reality, beating and baring the venomous fangs of a communal dispossession, a disintegrating rhetoric of progress in the reflection of a broken immunity.

i live, now, in a two-bedroom apartment on Central Park West and 85th Street. The east window of my bedroom overlooks Central Park; i can clearly see a ridgy, shallow reservoir with a fountain spouting water, ten feet high, at seven second intervals, the sunshine dazzling against the metal rims of bikes, shadows of geese, Hollyhocks, Roses of Sharon and Squills undulating in whispers of the somnolent breeze, and a few strollers hopping on the west side pebble patches. i will talk more of my city life at a later day, at a more opportune time, but i want to lean out to you and say, loudly and clearly, that powerful people are not invincible and people, in the rat race, along the spokes of a professional hub-bub, do not love you for who you are. the pinnacle of a razzle-dazzle, feisty and rambunctious cityscape begins in the evolution of a second self, in the molting of a real identity and in the donning of a neo-pathology, a purpura of multiple selves constantly bemoaning a struggle to survive, an unnatural existence and the definition of truth lies so far away that you sit and wonder, often, where am i?  

marjorie smith

the day before marjorie smith died, her son had come to my Midtown apartment to talk about the nature of our flagging business. a pearly white face, long slender stature, tinted blue eyes and disheveled, dark brown hair, jonathan was my enemy in middle school, a rival in high school, a competitor in college and now, a business ally. it is incredibly funny to me how time and circumstance mold the nature of my untrue relationships; catered to, tailor-made, and characteristically assimilated to make a situation functional.

we own a sex shop at the corner of 19th Street, in the west side of Chelsea. it is called Lollie's Erotica and caters primarily to homosexual men. a 25 feet by 30 feet space with high ceilings in a pre-war enclave, the lack of hot water, anonymity and soap have been pressing issues for the past 14 months. there are always a few female customers, an estimated 7.5 per week, who come to our store; disappointed, dejected and frustrated with the dysfunctional nature of their sex lives. they introduce themselves as straight, jacketed and married or in a relationship. i do not have much in me to offer. and neither does jonathan. so they wait in the dingy, dark back room and spend fourteen dollars watching peep shows, leather sex, and live bondage and wait for hours, while texting, for a hetero- or a homo-sexual man to make them moan. in a public booth. so they can go back home, satisfied for the next few days. 

it usually does not work to their advantage, despite my praying for their sexual satisfaction and my aggressive business. lust is a serious, serious craving, i realize, and i sympathize with the addictive gratification of the 43 year old mother of three who comes in every Wednesday and leaves my shop with a wink and a suppressed half-smile. i feel disquieted, sometimes; marginally shady, embarrassed and out-of-place to give advice to a sex-hungry widow. but this is my business, and i am stern. i have learned to align my emotions, over the years, and treat every activity of the world around me as normal, plausible and acceptable. i never believed in conventions growing up, and that definitely worked to my benefit at the thought of dissolving my sense of morality. everything is moral is my motto, as long as no one is hurt. i realize that there are several obvious loopholes in this line of illogical thinking, but I'd suggest that you went with the flow. It makes life easier; for your sake and mine. it makes living more bearable, more fashionable and less concerning. 

the most difficult part of this years' autumn fallibility, perhaps, is that marjorie smith bled to death while listening to Harry Belafonte, wearing a pepper tweed dress, a charcoal Fedora and turquoise Yurman bangles. i read about it on the web link of the Chicago Tribune on a windy Saturday afternoon, uneasy from a massive hangover. an aluminum fist mold had been planted in her vagina. a foot-long dildo with incredible girth stitched to her anus and a leather dog muzzle strapped across her face. the muzzle pegs were painted bright orange, apparently, to signify her support for the No Kid Hungry campaign. and her breast tattoo was a figure-of-8. and her rainbow colored pigtail was completely undone, combed and gelled into the shape of a broken conical flask. a note, nailed to the north west post of her cherry wood bed frame at her private home in Glenview, IL., read i am a human ashtray. jonathan had never mentioned to me that his mother had developed smoking fetishism while in the military, serving abroad, which manifested in her consuming a clump of ash every night. the sensation of a sizzling esophagus, curling and charring in a span of hours, burrowing through the solidarity of defenseless epithelia and the numbness thereafter, was the advent of her asinine addiction. how this ever happened, and why, i do not know and possibly never will. 

i had seen marjorie at my store, twice, coordinated with times when jonathan was away, the year before her unusual death. she came up to me once and said in a frilly, shrill intonation; you know, thomas, sex is easy, but being held is hard. i smiled, without purpose, to keep her going. i meant business. and when you reach my age, and you've had a lot of sex, you feel lonely and used and unsettled to a point where you give in to whatever comes your way. but you're young at 46 and i am sure you could find love somewhere, i told her, almost impulsively. that is no consolation, i realize. when everyone around you says that you will be fine, that you will find love, a lover and 'settle down', the bar has been raised. they formulate a happiness for you, they are confident without any basis. that is what you are supposed to say to make someone happy, to be generous, to sound kind. what if, then, there is an unfair juxtaposition of desire, pressure and outcome from the 'well-wishers'? what if you couldn't live up to their narratives of optimism? what if you never knew the kind of love you wanted? what if your ideal life was a little different, a little violent? how would you explain? how would you find your niche in the world of ideologies to satisfy a crowd, to explain to yourself the origins of your immutable desires? 

she sighed and walked away that restless evening. i saw her unhappiness slip through my eyes, burrow her heart and nuzzle with her mind. and i didn't say anything, do anything or hear anything. it was just another business. 

the diary of a dead button

chapter ix

it has been four days since i lost my thighs. and everyone has been noticing; everywhere i go. strung against a zebra flannel, a bronze talisman, and a camouflage handkerchief, i am half-bodied, inelegant and exposed. at my age of two years and three months, it is not in the Lancaster social conventions to support anyone as hedonic and Bohemian as me. as a result of which, i have developed tremendous insecurities. 

i will not lie and hide the fact that i am insecure about my race, the color and texture of my skin, early-onset pockmarks and my unequaled roundness. i am of an orange-brown, a burnt face, with severe psoriasis and xerotic eczema. to cope under these bitter circumstances, sheila gave me an alter-ego, a beautified intelligence, a twinge of the rational and the virtue of perception. a voice with which i can croon to the sparrows, straddling the lips of burnt azaleas. a voice with which i can speak to my self, unaided and spiffy, and create a shell of make-believe preponderance, to machinate and orchestrate an esoteric living, to beg the humane for civil justice, to prove the inertia of my deceitful alienation --all in a pleat of my menstrual adulthood, in a search for establishment. the scope of my wandering is beyond any containment; beyond any boundary of society, litigation and morality. in this search for establishment, i am in my own power to experiment with sexuality, to appreciate nature and deconstruct my social class. but i am an outcast, a polygamist and a social scientist. a morphometric schizophrenic, with a serious condition that Dr Rigo doesn't know about. my adult baby syndrome.

as a button, i am born with very specific and defined roles. primarily, perhaps, to hold together the shame and dignity of your absolute forbearing. peeking my arms through a lip of cotton, gliding past a corrugation of your fabric, rough on the edges and smooth on the surface, and blossoming, finally, into a full embrace of the pearly atmosphere, a bouquet of clouds and warm, autumn buttermilk. secondarily, i am a barrier to the phenomenon of nudity. or in the use of careful concealment. allium and liatris, for example, use my tongue for lesbian debauchery in a peculiar garage on Cornelia Street -sweating through their nipples, dictating ideologies of radical feminism, and creating of me a spectacular Libertarian. they wear garlands of syphilis, beads of cherries and olive make-up. read Rousseau and Wallace while listening to the Velvet Underground and confess to the occasional identity of confused Beatniks. their seminal philosophies revolve around the performance of concealment -to button up, in a wiry, speculative sense of glamorous magnificence. polished and refined from a wild exterior; but what a harrowing, tumultuous mesh of discordance occupying inside -it makes me tear up. this is the story of today's reality. or maybe my devolving reality. counterpoised and targeted to paint away, to brush away, to melt away the black and white with a whistle and a smile. it is the fad of spectra -everything is purposeful, edgy and charismatic. 

he broke me when i was, only, an amateur wallflower. in a matter of microseconds, behind an accident, on the fortieth page of the Torah. gregory arthur gould. a twenty four year old half-Italian half-Greek climatologist from Wellesley, MA. undetectable, HIV positive. this happened at a clinic on 54th Street. with the delivery of the news there was first a disbelief, followed by an outrage followed by a soul tearing, glass smashing disarray of negativity, anger, dismissal and denial. shortly after, he took me by his hand and broke me into seven pieces. burnt a few of my fingers, trashed a few more, and spared me. i know the pain of severe disability, though i cannot communicate, i cannot speak or write or dance to gould, to explain the fable of brooke atkinson, McNally Jackson or the life un-lived. but my broken state, my fierce bipolarity, my tri-partite insecurities are elements of my existence i am coping with today. perhaps, tomorrow will be worse.  

november shuttle bus

i am reading Canada in a shuttle bus that is patchily air-conditioned, dimly lit and stacked with a unique amalgam of queers, auditors and drowsy people. we are moving at a constant speed of sixty three miles per hour. my head keeps swaying, my shoulders tilting, my legs split in a maneuvering discomfort. i release a cough and look to my right, incline my shoulder and let my shared seat-partner drool and dribble a speck of saliva onto the fabric of my shirt. salmon-stripe, wrinkle-free, tidily hemmed and fading. she is black. speaks Ebonics. a business lady in her thirties. her hair is neatly braided, with streaks of burnt brown, almost chocolate colored, although it appears a peculiar blue in the green lights along the bus ceiling. moments before the drop of saliva lands on my shirt, without a thud, without a ripple, it glistens with a jarring twinkle, rough at the edges with fourteen bubbles. i follow the trajectory of this pearl drop from her lips to my sleeve, carelessly instantaneous, traction-less and unmoved by my breathing. her upper lips are chapped around a plump, waxy tubercle. one millimeter, crater-like dents lining the vermilion zone, extending to the node; coursing its way to the tip of the philtrum. the drop appears from the extreme nodal crease on her lips, gains momentum and falls, gravitationally. within a matter of seven milliseconds, the drop has diffused into the lattice of atoms -- my pasture of fabric, on the edge of my body, in mini-trails and fetal paths, reeling in anoxia, scurrying along in tentacles, riddling and flushing a puddle of fleas, ticking and jogging in bristles of dust, a dying matador, a suffusion in tertiary voids, mellowing and stripping in the tragedy of disappearance. this is the life of a saliva bead as framed in the pocket of a dictionary; a liberated gestation of nanoseconds, to the shared demise of tragedy. a peculiarly universal phenomenon, traditionally unobserved. aimed to entertain on the lip of the black lady, my shared seat-passenger, resting before business. her name is nyomara. it hardly matters.

i fell asleep shortly after. and woke up, twenty seven minutes later, to the sound of a crying infant -bordering seventy decibels, shrill and constant. i get very irritated sometimes when i hear infants cry. it's excruciatingly loud, desperate, and so piercing. i want to jab a pacifier into the mouth and say, can you shut the fuck up, please? but i realize, in the polite society where i live, this will be considered rude, selfish, aggressive and unthoughtful -borderline maniacal. it is a pity that given the constraints of our code of civilization i am not allowed to feel, sometimes, the way i truly feel, especially about a little child. or i am allowed to feel, but shunned from expressing it. the immediacy of concern and my upbringing, best left unquestioned, glides past moments where i bite my inner cheek to maintain the codified propriety. sickening and staged, most of the time.  but i am helpless, and lonely in this domain. if i have a child of my own to deal with and raise, perhaps, my feelings towards a screaming infant may change. till then, however, i will maintain that this development of evolution, this crying to be heard, this congruency of defenselessness, this modality of expressionism of a voiceless, wordless, living meta-summation of chromosomal hiatuses, is no different from that of a barking dog -similarly defenceless, speechless, unable to communicate in a constructed vernacular you and i rehearse. possibly a scandalous analog -the rational and the irrational beings of the one tree of life. but is your baby, truly and decisively rational? answer me sylvia. 

i have the vision of a miniature me, nano-sized, possibly tubular, sitting down, hunch-backed, at the neck of my aorta. the ascending branch, behind the sinus, perpendicular to the orifices of the coronary arteries. en route a micro-systemic shuttle of immunity, complexity and the belligerence of hormones, unearthing a cross-talk, bendable to nature, glorified and typified by the philosophy of adaptation. googly-eyed and insincere, dictating to a self-duo, trafficking and policing the physiology, the morphology, the blueprint of the body worlds. living in an umbrella, talking to my self in a series of echoes, ribbing and rippling the frustrations of a physical circuit, walking in circles, breathing in loops, fashioning and dressing in the renewal of the constitution; this is my internal turnover, this is the photograph of the internal me, unedited and untouched. the relevance of capturing the ballad of my blood cells is something that makes sense to me. it helps me know my other self. my clockwork self, with a mind of its own. playing hide-and-seek with viruses, my nano-me in a nano-world gives shelter to my soul. gives comfort and reassurance to my vitriolic mind, burnt out and charred in the ferocity of my life, in the dielectric of my world; our worlds, perhaps, the shared distribution of economics and pottery. my nano-me in a nano-world, in nano-tongues and nano-views, searching a transition to a hidden life, a floating city, and the meta-soul of screams. 

boston part c

you are looking at me, wide-eyed, from the other side of the glass window, with a half-smile, a crinkled forehead and a curiously bent nose. you are wearing a blue flannel shirt, brown leather shoes, a Red Sox vinyl jacket, and carrying a white plastic bag. looks like a carton of milk and a box of Cheerios, but I could be mistaken. you appear like a shadow, perhaps. a silhouette against the flash of bright yellow lights in the township of Arlington where I am. right now. drinking a decaffeinated beverage, tapping away on my mobile phone and listening to Rob Dougan's instrumental compositions. i have had a fulfilling day; exciting, reflective and responsive. extensive walking, singing aloud and dodging two drunk boys throwing bottles at each other on Varnum Street. you are possibly waving at me right now, trying to speak with your eyes. but i am semi-alert, looking through your body, remembering the weight of my Boston pedagogy. mired in a nostalgia; i cannot explain. the kind where you felt electrified, revolutionized and transformed in the folds of your naivete, and grew, and matured, and ripened in a city that you loved, in a city where you built your dreams, in a city where you saw yourself.

i am in a red city shirt; i've worn it all day in the midst of a baseball parade, a feminist intellectuals convention, a hospital and a library. a disgruntled father cut across a coffee line earlier this afternoon, to buy some for a dying daughter. i flinched, violently. she is microcephalic, tender and perishing. i spent minutes imagining what she looks like; tying a father's face into a feminizing, fetishizing morph. but i didn't have an answer. into the demise of a clouded imagination. onward and into a canopy of fairy tales. a dead daughter, blood gushing, trembling in a dialogue of evolutionary ingenuity. the last impression of a breathing, human epitope of violent laughter. i shook my arms; as if hyper-contracted in a freeze-nitrosylation and sprinted to the Quad. eating on the way a fistful of sunshine, a century of mildew and shavings of marble. relentlessly intrigued, racially burnt, discussed dissected and experimented on.

i was humming a Beatles tune, rolling my eyes, clicking my finger tips on Massachusetts Avenue when norah yelled from across the street. an ex-neighbor, virgin and decidedly scholarly. orphaned in teenage, miserable in her 20s, she became a hermit in training, reclusive and suspicious, with an airy voice, granular and monotonic. the deep-rooted sexual primacy, buried in a chimerical cage, made her wildly numb; an inner tempestuousness breaking the perimeter of promise. back to my world, across the street, spinning tales, lies and drugs. norah, what's up? i asked, curiously. i got bit by a dog the other night, bad baaad Booty, she said arduously, i may have rabies from the smuggled pup. her phone rang. the sound, a piercing cadence, pressing through an orange leather purse. oh yes mom, he drugged the nanny last night and... i walked away, unknown to me the life of the nanny. and my ex-neighbor.

into the face of Virgil and tourists, a garden of bricks, a monument of words and studios, i sat by Straus D, clicking photographs on my memory and listening to the chuckle of an Ivy gay, a Jamaican and a transistor; memorizing history, confusion and Vonnegut. my bitterness about philosophy, beginning on these very footsteps when Russell kissed a frog and said to me, the fundamental crisis that man faces is loving everyone but himself. in truth, in comparison, in the variegation of mnemonic, we argued at the brew house on Dunster Street. appropriating the meaning of 'loving yourself', the outcomes, the placebos, the canonizing and gentrifying, the undulating Harvardian raking in contempt, shriveled in remorse for a resonating hypocrisy; calling yourself a raven, a cormorant and a field star, curling in ulcer and uremia of your brain. i need you to learn to love yourself, first, Russell, and then plead the cases of Curie, Amis and Plath. to compare, to verbalize in the spirituality of Salinger, pompous in your white washed neighborhood. what money and your entitlement did to you was loathe yourself at the cost of appreciating contemporaries, wary of an alternate reality, in a pit of poverty, in the third world of mine. you pointed it out wholeheartedly, preachy, on our second night at Harvard. i have never forgotten, never will. as you continue on your mission of entitlement, privilege and philanthropy, hating yourself, doing good for the exterior of your smile, it is my hope that you will un-click a pittance, a grueling punishment and let yourself rise. in the philology of self, the biology of winds and consequence of minds.

my momentary fascination

i had a momentary fascination with electronic drumbeats, lyme disease and roots of words, today. especially, aleatory and solecism. corresponding meanings are random and ungrammatical. i am a fan of the concept of randomness. for some tremendously odd reason, the imagery of chaos is an orchestrated, romanticized thought chromatic in the deepest venule of my existence. i have been thinking about randomness, a lot, today. unaware of three spilled coffee drops on my pink checkered shirt, a trickle on my threadbare denim, a design on my Keds. shuffling between that and my non-affiliated embodiment of a pro-spiritual, anti-constructivist.

this probably stems from my being a rebel child. a violent, unkind boy at the age of 6, stabbing my sister with a sharpened pencil, disturbed, bemused and unbridled. persistent in the juxtaposition of carelessness, queerness and motivation, the defense mechanism of violence; i have perennially outgrown a soliloquy of emancipatory motives. i have vouched for sexual emancipation, erotic symbolism and polygamy, since i was twelve. rooted in an anti-classicist, shedding reason on the tendency of mammalian carnality, i have advocated for an unconventional incredulity, barking to the passers-by. marilyn escaped the season of sex.

reminiscing the face of krenaline, my bold and valiant lover. asleep behind a shadow. celebrating a time of fair togetherness. with cocoa, fruit and neuroses. with a bucket of my strange psychedelics, hallucinated upon by the whims of colic, reaching out to you. with a tear of dissonance, a breach of distance, parody of those electronic drums. i miss you krenaline. come back to me.

celluloid

my morning uniform is a light blue shirt, navy blue slacks, a brown leather belt, pointed toe black leather shoes, a whiff of cologne, hair gel and a smile. a cup of coffee, perhaps. stained socks -generally orange or neon yellow. it is a cavalier decorative. does the deed of officialness, professionalism and gainsay satisfaction. in the financial services and scientific business, alternating in a battery of operations, blood paneling and disease. a day to day, time to time, routine of a city mayhem celluloid.

you used to be a hardware shop keeper. in 50s Chelsea. a romantic notion, in my mind. and Auden was your customer. in your business of light bulbs. what conversations you may have had. what giggles you may have shared. binds me in a jealousy of effervescence, dizziness and sanity. you are 86 and dead. carbonated in an afterlife, perhaps, i have no belief. chosen to remember in a 20's fidelity, curled and boutiqued, laughed and cherished as a dance figurine, mother of three. and tough.

in circumspect

i was listening to Harry Belafonte when i thought of a glass jug. your exposition of "dealing with my mind." screwy, unnatural and confusing. a kiss from 2 weeks. a hug from last night. olive oil and vermicelli. Victo Ngai and flaming whore shows. that was all.

encounters on a street

blaring overhead, a careful uproar through the microphone: an autistic child is missing, fourteen, barely, imagining a face, motioning along the fundus of an aluminum wrapper, cherry picked, usurped and stowed away. in the investigation of possibilities, a chorionic lurk of motherhood displaced in the foliage of gametes, resuscitated to a living, bellowing alarm. help me, anyone, help me. i am trying to imagine the angularity of your shoulders, what you are thinking about at nine twenty-three, do you cry? do you work at a cafeteria or perhaps, a PA? are you an expat and divorced? are you suicidal with pills? drooling in your sleep? exhausted from the hyper-vigilant demands of an autistic child -conceivably broken, perceptually bloodied, agape in yells, screaming and moaning at the cork windows, pierced to your bone in pain, repentance and the sensibility of loss. AIDS killed your second child and your husband at the cost of acute convulsion -rabid diagnosis, terrified and self-provoked, awake since your sixth miscarriage. i picture you olive, with a satin shawl draped across your breast, smudged iris, bleeding lip cage, crystalloid ribs, petite and waxy, in pastel shoes, pacing about on your terrace, hallucinating, LSD'ed and toxic, drumming your uterus, menstruating in barrels of camphor and gauze. i imagine your arms, outstretched and ribboned, tattooed in marvel a Mexican jesus. praying at the bury beds, leaching to the honeycombs of primal recreation, bawling in streams, humming an elegy; rancorous, sublimate and intangible. a pacifism drivel bandaged to your moldy reflection, luminescence in vacuum, shredding and stripping your maniacal gyri, scalding your eyes, tearing your skin, breaking the silence of your hemi-god mythologies, racing and pacing to the shack sliver trilogies, the rail steel and cream. immersing in acid, the analog of shape, coping with a missing child, a conduit, an embarrassment.

walking in Chelsea, you spotted me from a distance. i closed my eyes, wishing you hadn't noticed, turned around, swung my heels, gasped, continued walking. you yelled my name, twelve times. i counted through my ear phones, and ran towards me. leaving your car by the naked streets, crookedly parked, punctuate and polished. the eighth time and ninth, I smiled. ashamedly, nervously, reminiscing a forgotten existence. the frequency of your shriek grew higher and higher, till you were by my side, holding my head, smiling peevishly, expectant. we hugged. small talk fulfilling the emptiness of air, feign convenience and allowances warbling your speech. what do you want? i asked you. i've been depressed, you said. i killed a toad, a few rats and fucked my nephew. you added, it was consensual, and paused. the height of my neo-liberalism and iconoclasm, revering the complexity of self-hegemony, floated to the machinations of dialogue. i asked, did that make you happy? very much, you said. while we fucked, you continued, i thought of a rendering of a dead President. Ulysses S Grant. They smell alike, look alike and think alike. i could tell you were dizzy, exhausted and unhappy. we decided dinner.

flecking the edges of wheatgrass tips, shaking from heroin withdrawals, you continued. the intensity of your personality leaves you unfulfilled, constantly seeking, mistakenly condemned, frivolously laid. i punish myself for everything. accomplished, unaccomplished and coveted. to a point where i'm tied, whipping my chest; that blood feels good. this is a Times reporter, sexualized and caramelized, misled in psychedelics. remembering the recurrence of pity, examination and devastation, you paused. i blame you. all this while, why now? the revolutionaries have rebelled past, rumbled into the milieu of a sexual philosophy. you cannot fondle on the subway, or mate in the pier. the wheeling of your existentialism, the expanse of your fatalism, the fringe of exculpation sabotaged in the un-sustainability of your voracious subsistence. you chose to be alone, to liberate your desire to the gaping boys, to juggle a life of convenience -and now riddled with pills, maniacal and crippled, you shake and shake and explode in a globule of sorrow. and i say to you, a plume puppet, take all the love you have for me, and spread it to your soul. blossoming, healing and tempestuous. a Manhattan fall. smoking leaves. birds fly away.

a thought

my morning thought, however fleeting, brought back a co-incidence, ella, about our sinister brooding. about the philosophy of tickle. the idea of tickling someone to death. you tried that, you said, to your grandmother in Valhalla, when you were twelve years and two months. spiteful, hustled, a Belgrade resident, and in your outer conscience, a well-meaning serendipity. you pinched my inner soul, allegorically, with asymmetry. and massaged my nose. a piece of fuchsia silk, glistening with mildew. dampened with rust, iron coins, crunching and caressing the latency of your marriage. you never cheated. you defied the clause of your oaths. one by one, in the search of fulfillment, complementary to suppression of your mother's religion. i egged you on, to find yourself. to love your flesh. to explore and promulgate a coy clitoris. to sanctify the literacy of your wet vagina. to squeal in pleasure from defiance. an anti-traditionalist, an iconoclast. to define the meaning of your sexual tenderness. i turned you against the hetero-phile; crowning in structure, demanding from you a unitary committee. but i asked you to flee, to dissolve the opacity of your surrounding cage. to be the anarchist. to be the self-exploratory, admonishing critic of everyday bricks, of religion, sex, and structure. you won yourself, you outlived your culture. you cultist pearl, XX cessation-ist, sensationalist of a queer sartorial. my morning thought, however fleeting, brought back a co-incidence, ella. my life is a mystery. even to myself.   

unusual me

i woke up this morning to the sound of a mandolin, trilling away in a lonesome corner, diffuse, suffuse and disquieted. arching my ankle in a perfect bow, tip-toeing, i walked over to the kitchen, a generous towel carelessly creased on the edge of my elbow, to brew coffee. bold. definite. and defiant. accompanying the stimulus, i peered over to a glaze phenomenon. a criticism of words. to read “My penchant for portraying my dreamlike inner life has rendered everything else inconsequential; my life has atrophied terribly, and does not stop atrophying.”Kafka-esque and vernacular, of '16. scribbled in recess, in the harrow of finesse, generated in the rigor, in the peculiar of a confession. unsettled, depressed and desirous. thinking back on the luminosity of thread loops, of an infinite hyperbole of expression, existentialism and mystery. this is the authorship of imagination. the expanse of the red neurotic muttering to herself, humor me in the vessel of stitch impurity. humor my eccentric, a labile discordance, misunderstood, misinterpreted, compared to a compass of the inanimate, a paragon of the absurd, the liberate, the literate, the psychosis familiar, wriggling in the corner of psychiatry. in the expanse of narcotics, and sexual paramour, i want to tempt the leveler of logic. crawling out of a dermal testimony, this is the other me. this is the me that resides in the pocketbook of hermeneutics, in a pursuit of the sexual, in the cage of secrecy, roiling in the theoretic, the macro-centric meaning of madness and whim, the seventh layer of selfhood, the meaning of i, vaporizing, slipping away from the anatomy of time. to want to squeal to my bones, to the charity of souls, to the desirability of infamy, to liberate a flutter, build and rebuild, rise and resume, and tense and haul and pull and strum the ineffectual, the yearn, the narrow covet of a better mind. to stand on my heart and look at the ceiling of the vascular, lyrical in hormones, baffled with bruise, sense of un-belonging silvering the future of life unlived, anachronistic, odd-spectacles looming on my individual. i am the fragmented, the unusual ova, aging behind curtains, self-deluded, crookedly bovine, swallowing a hysteresis of sexual magnets, undulating in oddity, percussing on asphalt the narrative of onyx, etched in banter and mobilized sleaze, rummaging with winds of temperature frills, shattering and scribbling, scraping and building, jarring and shaking, growing and beating, the spectacle of me. the other i. the unusual me.

virgin Amadeus

the name of today's chaos is a shingle Amadeus. baton-esque, improvised, electric and shuttle. to have heard the melody of the singed oracle, clarinets and blood batons, made me think of the Commons. that one afternoon i held your hand, i am a virgin, you screamed. denying the existence of a bovine cosmos, you prayed to the weeds, and chased the swans, in turrets of smoke and bob-lilies, convulsing, as if in a dream, to the dramatics of German overtures. mozart smelled my piss, you said to me. we laughed, half-flirting, semi-aware of the alarm bells. but why Mozart? i asked. of the alcoholic savage and punishment. on the grounds of the arts, you punished yourself, undulating to the tremolos of the wind orchestra, the resonance of the strings, in denial of a modern death of the caricature of melody. footsteps to freedom, your composition of deaths, laminated in nutmeg, profuse in pebbles, we loved the sound of rain, the history of the dulcimer, the theory of minds. whistling a Paganini caprice, you would say, how's that soul? mourning, i would add -for you to depress into a pit of silence, blackness enmeshed in particles of sound, till you slit your mind, broke your dreams, created sex in photographs of iodine and sulfur, rabid, anthropomorphic and agile, and ran away to the ocean. never returned to collect your keys, petunia and my ring.

a rain cloud plea

nicholas, in your omnibus of prejudice and barcarole, may you devour the sanctity of self. may you dance like a peacock, ruffle your titter dregs, smuggle your soul -like pendulums in bottle trade, whispering a manuscript of ginger queens, and ruby plumes, coquettish and violent, slovenly and chicoried, in marinade of literature, ash and saxophones. in the tonicity of your brain vapors, this is a cry of song, to the anonymity of monsoons, rain metronomes clicking in acid, clouds sputtering and spinning in the cerebral of galaxies, in the dance of vacuum, in the blackness of atoms, ringing and jittering, clicking and muttering, breaking and sticking in the outcry of piccolos, in the ritual of heavens, in frailties of garden weeds, in virulence of phantasm and meter and rhythm of ballet death and swans.

this is an orchestra of carbon and iodine, whimper in the coo-coo of bubble tongue saliva drools, in the religion of nature, in the puppetry of juveniles, in heaves of leaves, and chamomile of wind lamps, tender lips on watercress, like the wishing moth, and polyglots of paragraphs, poetry and statistics. for the Cartesian, nicholas, draw checkers on your tongue and bleed till you rain in serenade and lullabies, chiming to the sway of dandelions, swooshing to the crease of dilly gusts and cripple knots, woven in a cadaver of solipsism, mechanics and automation. the naturalness of self-aureole, grayed in the winds, rumbling in a voice of anxiety, ribbing in surgicals and the intensity of vernaculars, this rain, a lease of homicide and flood knives, apathy in destruction, conspiracy of tears, joyous in paradox, excess in parasites, gnawing at bones and setting free -parapets of synonyms, whipping of rogue maniacs, and agrarians, bellowing in tragedy. in your claw spectacle, in histrionics of a gore libretto, sail back to the soul of darkness and dreams, unaroused, diseased and free.

forgetful rendering 3

you raced past the the pulley discs and wire mesh to knock at the door. thump. thud. smash. i did not look at you, focusing on the trans-sexual couple fondling each other across the street. occasionally glancing at the tan asian man, waving at a lamp post, muttering, snorting, and giggling, i developed a minute impatience. adjusted my sleeves, drank a bond, some helium gin and gestured to the pink column, a quiescence of fall. pointing to an ex-catholic, wriggling in sin, i thought of Smetana, burlesques and oil. michael is your parent name. short, crisp and befitting the square of your jaws. you glanced at me, walked through the studio doors, and sat by my yoga mat. your legs spread in acute angles, your boots shaven and polished, your mustache in perm, yourself in a cocoon of shiny canine leather. a characteristic droop of your white eyelids, fidgety by the edge, rotund in the sink, bury in obsolete an oceanic eye. so achingly blue, longingly gazed, pulsatile in the flip-reality of dilation, contraction and a numbness. the reflection of my face in the concavity of your lens, made me dizzy inside. projecting to the limbic, the imagery of days i cried with lust, dissatisfaction and powerlessness.

when we walked to the diner, after an awkward paranoia, like a mistaken phenomenology gyrating in the laminate of your dead venules, you sat by the wall, cushioned in a corner, hidden from your ex-fucker. you flirted a little, then became silent. did it remind you of something? did you feel numb? you stared at your glass for forty seven seconds and said what helped me live at the time of suicide was the story of Alexander the Great. an amateur historian with a past of prostitution, journalism and the ivy league, you sounded confident and nervous. reminiscing your lay off, a latent escort and your love for harnesses, you peered into my thoughts and said it's an evolutionary fuck-up. you seemed unclear, eating pasta, and i asked to elaborate. at 47, to feel young, you find your draw. you dread the passage of age, i figure, and to re-live your loss you engage in a volley of words, in a secrecy of act and benefit of lust. manipulation of desire to the extraordinary, moral bends, self-lulled and political in the lability of a compass. is there a cap on desire? no, i cried. it feels liberating to love, like Alexander the Great, War soldiers and broken rivulets. 

what resonated in my mind, after you swung aside, was your interpolation. what is the worst of outcomes? you die. death from a heartache, wrapped in the blossom of pan-celestials and hormones, in a brown paper suicide, is a misery of time, evolution of man, begetting of communication. rattled with pixels and voxels, appetite and vogue, conundrum and cretinism, this world of yearning, this love of yarns, explained in the socialism of Darwin, paradox and genetics. before you left, you said to me, Alexander always showed gratitude. 

my. inert.

the antidote to the melanin blossom is a bleach bouquet. allowing the diffusion of a self-doubt, perplexity, cowardice and agitation, a blow to the canvas of portraiture. in the clasp of asphalt finger lakes, poetry of milk, lacuna of roselyn, your paper flake epidermis, your melody crease, in resonance of a refrigerant, of your snow vase and blunt blade, bearing in the patriotism of your mimicry, socialism and gaze.

the moon in polyps. semi-pregnant and anti-lunar, trickling and melting in the chime of september. in the rustle of a gas gauze, asphyxiated, hypoxic and arched. shedding a verse of the Genesis, a genocide and a genotype. spurting to the rain cloud, a vocalise of numbers. of planetary geometries, fetal-pain legislation, and violence.

reading to myself, the truth of truths. a logical whim, cold-blooded and obsolete, shaving to my bone a ring couple -an edema, anti-analgesia, and hyperactivity. of a prayer of whispers, bellowing to a screen, passionate and confused, hurtled and vibrated, sedated in the basicality of temperature, of humility and deconstruction. querying and quarreling, hyphenating a nation of radicals and bell jars, in delusion of eleanor and betty lee, of womanhood and paradox, of rain drops and rain. rain. rain. patter pit. rain beats and rain songs. ink rain and frisk soaps in sand chorus, mutilated and ripened with agony and morality. turned around in the hundreds, this art of the melanin blossom. narrowed, expected and sublime.

Berlioz 72

i was listening to Berlioz when you called me. saying, mournfully, i miss eating pebbles. but Eda, why you ever ate pebbles, i never quite understood. you used to say, Lola, i love the spasm of a gag. the writhing, sliminess of pink saliva, empathy and arrogance contributing to the necessity of your sadism. you would run naked across the stretch of a wind fascia, crashing at the tip of a wave break. in the summertime of '72. in poppy fields and sunflowers. a legendary opiate-addict. a farm prostitute. pregnant with a sagging ovary, deckled and trimmed in a practical life. Eda, when you called, your face was frail, your voice was numb. pulsating tender. a monotonic whistle crying in the circularity of an auto-tumor, in a loop of thermostatic acidosis. i wanted to crawl through the burnt aluminum and biopsy a bass treble, immortalize in a jar of spring cotton, gelatin and pacifism. you sounded melancholy. maybe a mild depressed. or maybe you ate a candle, and shot LSD in your blood. and screamed at a stencil sketch of your van Gogh, you stole from the pawn shop by the MoMA. you used to tell stories to orphans about jellyfish and puppets, about sex and money, about the personality continuum and the Depression. and flirt with the Navy men; one you married, one you stabbed, and one you mutilated with unreal violence. on Saturday nights, and tuesday mornings, you would tie your hair in delicate braids and light them on fire. listening to recordings of Dickinson and Plath, you would inhale the smell in long effortless breaths and bleed from your chin. in a confusion of your experimental living, your drug poetry, vitriolic personality, cabaret of peace and reality, Eda, you have inspired my soul.

a few days ago, Eda, we stared at a water drop. to the image, a little shy, you yelled a name. Ethna, a voyeur and a child masochist. an entrepreneur, you sold orchids at the museum of bagatelles and serenades, for nineteen pennies and three shillings. but today, you are limbless. washed by the sonnet of the peculiar monsoons, the leverage of spring lilies, chanting to yourself a deviant Genesis, imagining, in silence, the lattices of topaz, table salt and MSG. you used to be a War slave; an abused organ, emphatic in frills, galleried and sold in the market of economics, contested with boots, persona and bullets. they forced upon you a feminine humility, a scholar of spice, a treacle of praise -to misuse and abuse your stern integrity. but you escaped the skinning, the hanging and the suffocation of science. Evelyn and Dorimer, are asleep.

in the course of your neuro-degeneration, you will smile at the air. thoughtless and excused. demented and enraged with the tutus of syllables. your speech will slur and fade to a dim. you will remember, i hope, the modularity of entropy, the caravan of spiel, the redolence of chains and hypothesis of the universe. i said to you, Eda, if the universe expands, and gives rise to chaos, who is to predict with certainty that our physical laws will remain stationary, unchanged and untouched. on which theory of induction can you prove to me, two times seven shall always remain the ripe product of teen fours. the concept of chaos, theorized and analyzed, applied and implemented. Eda, you see, the paradox of concepts? formality of a chaos, analysis of screams, citations of strings, elastics and aromas, making up the posterity of your remnant.

i was listening to Berlioz when you called me. saying, mournfully, i miss eating pebbles.

the queer Cadillac

little bit of love
little agency of barium harmony
in the titillate, the magnificent, quiet
discordant, communicate
on the water tables of Maryland,
the granulation, anti-acidity
of rain, topaz and pearl. 
ever-ready
my arrogance, your you sympathies,
the tremendous teeth crackle
the roar of my social suicide, my psychosis
and metalloids. 
for exhibitionism, my village voyeur
is offending a sheep. 
in the broader sexuality, the spectrum
of your queer Cadillacs, 
the atomics of diesel, 
bloom fairies
canvas of bipolar cervices, 
ornaments of a tablet jew, pill-skilled
hype-tentacled in bleach. 

my pericardium in rags
of wool threads 
and periwinkles
bigoted. browned in fear
the eruption of tear
tremor dyes, fluoresce
in the fashion of stripes. 
in oval Ovid opioid, herculean
activated in the fundamentals 
of quotients, metaphysics of Achilles.
history of cell, 
biology of gays, and chemistry of pills
geometry of sex, 
for your geriatrics, pardoned and crystallized
in an evolution of the spatio-temporals 
the paralyzed feminism, angered 
in a vaudeville, in 
your prayer and kiss.

e leaf, my song bird,
my wish, you fly.   
 

the beat trilogy 32

reading Kerouac put me in a mood. blue beats and trumpets and monographs, somehow, knotting around the diameter of a personal phrenology. got tangled up in words, and songs, and footprints of your senseless politics. of a creativity, personalized and rhapsodized like the clitoral, the littoral, graphic, Austen-esque, or explosive imagery of blood burlesques reeling and streaming in the cadence of hymns. observing a pedophile, loving a boy, telling him spread your legs for daddy. in a quiescent submission, in a lust-hungry energy, he squeals in delight to charm daddy. saying to a wood wall, and a cloud of steam, and the straight-acting band, i love you daddy. salivating and craving the voyeurism, the exhibit of naked age, the harmony of breaths on genteel glass, the crackle of lubricant, the network of rims, the duets of soap, the ballet dolls of dead chemicals, hormonally operatic, chaotic in shuffles, disheveled and liberating to the dead sexual, swollen in the tingle of orgasm, lust and tear. son, i love your cunt, your boy vagina. this inter-mixing of gender, biology and chemical nurture, this lullaby of verse and cross-contradictions, gave you the pleasure of a ripped marriage. your wife away, the child you sought. re-living the fantasy in the confines of amber, hissing in dissonance, hiding in smiles. tomorrow, you will go back to work, son. and no one will ever know. 

to remind myself, the mythology of the anonymous. the manner of deceit, dubiousness and playmate of curtain falls, of red lies and accountability. to re-think the truth of my relational, i am grateful for the war songs, to historicize and preserve, to immortalize and re-flesh the skeleton of dandelions, the sway of bliss, the dramatics of loss, the aroma of splits, the bible of trust, the discourse of tears, the parable of proofs, the miseries and joys of loveliness. to your anatomy, i shiver in the spasm of time warps, and extra-spatials. in the charm of honeycombs, and the vagary of your boyhoods, the topography of lust, you are the primary primal, the tertiary pedigree, the parallax of numbers. 

yesterday rush

they pushed you into a rude, paradoxical shuffle. of stares, business bags and paper. timid, you detracted. held the inch of a rusted pole, and slipped in sweat. to rise amidst a beauty man, a live poet, a breast feeder and strip recruits. i saw your face, bellow and rinse, blur and rip in claws of anger, humiliation and worry. a thorn illusion, relentless, in voluble metaphor of disease, handicap and glaze. gazed over, insulted and ridiculed. this is our generous life, of mongering, lying and contentedness. through the curvature of my myopia, i saw your becoming a laughing stock. infused with guilt, helplessness and rigor of a manhattan rush. on the runway of sensation, of the fiscal desirability, of a burnt gamble. in your green shirt and pants, prominent obesity, burnt orange teeth, dry unkempt curls, you shrieked and pushed and screamed with lungs revolving your copper larynx, salt infused in credible anguish, of emotional freeze in a photonic palindrome of your day to day. caressing from behind, your famish nurse. begging to the dead swings, the gelatin heads, and wax models can we breathe? a solitaire rises in a confused befuddlement. pondering in tones, should i stand? for judgment in the face of humanity. surpassed in the erasure of duty and antibiotics. he offers. to which you lunge forward in a disequilibrium, twiddle your skull, pluck your brow, hit three neighbors before you pant, in a sinusoid of rhythms. heaving, with a cringe of restlessness, flinging your wire knuckles, bellowing in pain, missing your milk, dreaming of songs, neurotic and disabled, a social queer, quirky and ashamed, you may be an orphan. bleeding through your careless nose, panicked in fear of abnormal love, what lay ahead of your blue tomorrow, i wish to guess.

of the folklore and mythology of your body metronome, the tick of your circadian imbalanced with the astronomy of your chromosomes. deranged and derailed, misaligned in genotypes, the penetrance of your population, makes me think. do you see me differently? my imagination of your reality is one of a chronological decadence, of a mellowed inferior, of a specific abnormal. to make me think of this alteration, i seek the assistance of hypothesis. to attenuate a chasm. created by the random. the laws of chaos. the clockwork paradox of infinite splice, of a molecular magic infection. i wish you well, levalie. as you sweat and cry, in the rumbling of lights, and colic.

permalink copier post: the criminal 5

oh what it would be like to revolutionize. to turn a wheel along the way to a cultural behemoth, a scandal of the century, a posterity-magnate in a pure magenta hemi-tone. to revolutionize; a thought attraction. a mind revulsion. a biopic convulsion of a timid physiology, struggling and swarming, a malady of bees, a decoration of contra-skeletons bellowing in tapioca dust. what imagination oozes from the septum of your brain pustules? in an absolute theory of the geometry of the optical ballet, in a pale mazurka of cataracts, i am the pediatric pedophile. how heinous of a criminal would i be? bending morals, sleeping, waking up a seminal propaganda of an unfounded fear, of a thought experiment -this child loves child. what a paradox! a peculiar clemency of sexual applause, of a present hum, of a moon toy. when i smile, half-agape, half-denied, you fear my motives. what if, today, i were a feather of urine? what if, today, i were a bullet shell designed from your belly fat? what if, today, i fucked a light fixture, anal-esque, vaudeville and asymmetric? what if, i stabbed a door handle, kissed a sign in fluorescent red, telling me, screaming at my nose, this is the way to exit. at a nearby store, i walked in tonight, with a purple spray bottle, exist. it felt good. i licked my nipples. stimulated, and awake, i ran away to the river top, and swam across a battery of sixteen miles. half-afloat, semi-drowned, semi-erect. i stroked myself, swimming, caressing my fur, fingering my jaws, sucking a water eel, paraplegic and lung-dead. aside, what if i tore your lungs apart and flung it to the moon? 

but i drift away. in apology, i made a rope tonight. with frogs and creme. and christmas lights. and jazz birds. my opera ornaments adorned, i strum a viola string for ninety two minutes. and at the end, i shred the piece in fourteen splits, releasing the violence, the temperate, the revulsive lattice of bone atoms, of the chic effigy, of a pressurized sexual ravish. at the nomenclature of a boy slut, a pediatric whore. because you kissed, held chins, held in parallel the acidity of your pubes, held an acoustic, amplified thrombocyte -a gamete dance, a fertilizability of homo-sexuals. literally, the homo sapiens, the wise man. makes me laugh, the wise man? yet same-sexual disparagement? what wisdom reference the Latin makes, i want to giggle and choke and tear my eyes and cry to understand the damage of the strict Conservative. the disparagement of my atomic cones, my crystal celluloid, in argument and rationing, in reasoning and folly, the paper bulb is my character. burn in resistance of heat coils and epiphenomena, of a daunting task of laughter -the universality of the greek child philosophy and the unanimity of breasts, the curvature of cocks, the pesticidal nipples, the body  aroma of agarose and urea, lilting to the wave pricks of a moon tide, of a sun shriek, of a saturnine bonhomie of the celestial, the mega-scopic macrocosm harnessing an image of infinity in the laterals of my brain. isn't it funny, belaruth, that infinite is a number?

c

spirited and affectionate. exhausted to a point of eyes rumbling, tumbling, blurring and dead. nonsensical. head giving forgiveness. haiku myths. blood bacon and band-aid. and the illustration of the glory fuck. troy trojan elixir. time of the ulysees. the worm glasses. embrace of the plastic sex toy. friend and apparition asleep. manhattan. bed harlem and a note dearest s, love ebk. in the manner of drunk autopsy of cancer pigeons, broken kids and the spew of the typology. reading monuments and thinking of catering, steam and feminism. sounds like a mind whir in the radical of antibiotic war play, resistance, flute and blue-pink. sugar sweat beads on my proportion mind of sleepiness, pretense of lies. i am the chronic hallucinogenic psychedelic morbid sex-child of the queer theorists. of the medicinal equivocal. of the departed lonesome. of the dead seas and clouds, pregnant and ripe. my new catechism of the supra-eternal death cycle, paragon spice of the crack-heads, cocaine and my heroin god. resend the hidden emotionality of checks, cw italics, pepper scarves. a dustbin of consciousness, ridiculous reminiscences of attraction. lie dl, down and under lowliness lones, swan fairies and fantasy on my soprano bees. of the operatic bewilderment and alcoholism...a mid sentence death of meaning of verb, understanding accepting. . .

my neural hypothesis 3

to stumble down a gray, burnt sidewalk. a mild august morning breeze. a gentle drizzle. pitter-patter. fourteen cars race past you, and come to a screech at the bold red. they seem asleep, motors whirring, keys ringing, heads bobbing, eyes blinking, and a pause. the water drops smile and rush to a tar, cold heart stone. the manhattan lights, shimmer and dim. glow and blow, rhythmic, jarring and irrational. coughing, a little. quivering with the smell of fifteen hiccups. a lady staggers past. mid-72, orange hair. eyelashes, red. burnt beige sweater, with a sagging breast. other, invisible. prominent nipples piercing through a woolen wall. you, surrounded by a queer aroma of old age, melancholy and haste. a paternal chastity, and purity of your longing. you look at her, half-rainy, half-foggy and create a broken narrative. as it plays in my mind, every odd micron. microsecond and minute. a woven spool of story times and epithets. of cotton birth and stillness. of a brutal handicap. of a waving miscarriage, awry and demented. of a nervous fortune, of a gentle braid. choreographed in my centennials, my perennials, and dead cellulitis cocoon brain. of an unnatural perturbation of lifeless families, of dead dreams and wring trills, of vanish and hope. of a beseeching diamond pond, bedazzled, glittering. post-sweat syndromes and intrusive fatigue. to break, slowly, under the burden of ideal happiness. to what poetry does your target happiness come to completion? in tears, song, frustration and violence. or a meager solitude of calmness, infused with puppetry. in a narrow, raunchy composure of giving in to the gift, the ultimate composure of success, surfeit, and liberation.  

if only i could be as happy as you. ringing in your blood, an architect of comparison. if only you could love. yourself or your ego? your image or your shrine? your passion or my idea? in composition of the piecemeal destiny, of a relational superlative, to feel defeated under the vision of a parallel narrative of fundamentals. hypothesized in my neural tones, why am i dismissed? of a self, of shroud, of beast and counter-points of an intuitive human algorithm. unmatched and bitter, you contradict the pedestal of a generation of lives, of a panoply of values, of an exposure of your weakness. to hide in fear of vulnerability, to build walls of brick, and machinate a happiness, is to be an independent certain. with the power curative, the self-prescriptive, empowered non-native, this is the reality of your day and night. to live, like a feather doll, is to bend to an uncertain, stoic humility -none of which you deserve, preserve or spill.

dust song

tonight, in the banquet of moons, you consume the parable of chicory and bow-ties. syncopated, and polished, this is a half-cremation, a repression of the feline, of the narrative, of a confidence. to be attacked, mono-syllabic. to be harassed and repressed in a misogyny of verbs, of thoughts of ideas of longings and dreams. of a future, woven and interwoven, scootered hope, crystalline and breakable, this ductility of a futile conversation, this unknown cosmos of beads and pantaloons, i want to scream, sometimes. and love, sometimes. and bleed into a parapet of mediation and checkerboards and hold a doll house, a parafilm, paraffin ribbon. for you to grow up into a willing maturity, is the root of my contention, my hesitation and my lie. to hide in smiles, to bestow a twinkle, a grimace of satisfaction, like a celery scorch, crunch in humiliation of an alter-ego. to rise in an emotional confusion, a psycho-sexual dialogue, a racist diaspora hemmed with negativity and irritation, to unfurl a cat-blossom, burnt and piqued, smiling and sweating, an oriole, an oracle, the orbicular infectious, contagion raging and racing, and swelling in the trickery of peplum, in lace bangles and conifers, in hearts of pale and candle swings, in the touch of a longing fulcrum, modular and hollow.

at the benefit of camphor and a tincture of iodine, simultaneous specula soul searching the vacancy of sand lamps and blood sheets, in my abstraction, in my hallucination, i want to be a silicon dust, polished and shone, stomped and sung, danced and worn, abused, misused, burnt and flamed, gleam in rust, skeletal and green, waxed and wrung, hit and frilled, in swings of tides and cognitive fumes, released in air, afloat abreast, in the agony of a God.  

marilyn M. i wish you, the anti-traditionalist, my real-itarian cement, another birth.

eleanor

eleanor

you sea shell,
bent, tied and wind washed
in a shuffle of widows.

a paper nail, disposable,
transient and impermanent. heaving
like po-hens, peacocks and 
Trilbys, saccharin and mildewed,
spotless and red, like 
a hyphenated blood basin.

eleanor, by the beach bay,
hold sands and wing tides,
sonnets and peculiars of a montage of lies.
an alter-boy, dubiosity,
chagrin of fear, heart pounding and bouncing
every time you breathe, touch and pickle
in a Danish of afternoons.

wind crisp, fake lies,
negatives and love cries, racing
in commodity christ, lace jews,
pathetique and antiquary. in a vernacular
of rose puppets, chirping and burping
with AIDS and drugs, in argument of the war
1984, dairy and miscegenation. 

to undo a false reality, eleanor,
is to melt your foibles in alum, roast and tipple 
in comb sweat, a polish of banes. 
seven tales of moth rings, red songs and communism
lay, perhaps, in your bright fields. 
hopeful and fake, this artificiality. 

camphor rose

to lay down and tell me of your discontentment, took me by surprise. you, almost crying. teary and watery. a little cotton-ish in your pallor. a little befuddled, unhappy, and confused. it has been under five months and three weeks. your eloquence of familiarity, warm like milk, honeydew smooth and supple, made me at home. a glass of crystal, clean fragrance, crisp water and jiggling ice cubes, rattling and whirling by the nightstand. we bend over, smile, and eyeball a vehemence, an intrigue. a remorse through your convexity, a frustration, the concavity. a voice of reason, irrational, illogical, sloshes around your serious hoarseness. of attraction, attention, sincerity and sexuality, you emanate a spectrum of confidence, a plenitude of talent, a facultative tapestry of experience, sleaze and deviance. of the bathhouses, the strip vehicles, the molly coddles, the arm rugs and trickery, of your guiltiness and conscience, slapping and swarming against the injustice of your profession. this is the welcome to your loneliness, your solitude. to which you blurt out and say resentment is like cancer. i latch on to your meaning. to the chasm of your vocabulary, unperturbed. it metastasizes so quickly. of your partner, married with a child, playing hide-and-seek, beck and call of an alcoholic reality. your imbalance quickly settles in, wrought in a shabby cast-iron doubt decadence, creasing and lurking in a medieval reality of law and lawlessness. meeting at a cast bubble, soaped and lubed like your goo dolls, rolling in a wind slime, chiming and gawking, milling and filling holes and bowls of conscience, catholicism and sin.

your passiveness and repentance made me coil and recoil into a dizzied frenzy, feign disappointment and hope. to believe in a rain prayer, to hope in a servile methodical category of sorts, to solve the diaspora of age and kin, to encrust and case your violin life, your Vulcan songs, your tidal vespers, whispers in your neighborhood, in your wifery and upholstery, in binding and unwinding the musicality of your blood kin, refused, abused, deject and defeat in the wake of scrutiny and police. in your metaphor and script, in your life of love and hope of song, i leave your will. your faith in you, brushed, polished, towed and healed in your sliver of tear. in resent, consent, battle peeks, crayon lives and sponge. 

an oddity

the oddity of the civilized human metaphor lies binding to the allegory of our deep, carnal, primal fetishism. in the genetics, the meiotics, the mitotics, the central dogma plagues in the lyric of the eccentricity, string wired and poly labeled into syllables, monotones and monologues. to the shoe dust and urine, a cum-phoretic, electric and sadist, masochistic and the pliable plastic prudish, in the enticement of a searing scorching revolution, plagiarized and canonized, lionized and patented, in shame, fear and embarrassment. to be lured in a conundrum of an absurd desire, to be vulnerable to the explanation of madness, of a creation of a glasshouse, in silk dolls, and horse trills, in the suffocation and invalidation of the paramour of fetishism, its roots and origins unknown, untold, shunned and spun in the lethality of cotton mazurkas. the fan bloom, petrified and chided, scalded and judged in the litany of roars and screams and yells to the un-normality of desire. this desire to differ, drift in the rawness of the liberality of a sexual, morphic amorphous sapiens, clinging to a tome of behaviorisms, punished and reviled for the philiacs of a pediatric, for the maniacal incest, the rapist desirabilities, the paternal, the maternal, or sororal. this is the sex confectionery. the porn bakery. the unconventional community of the blood fraternals, you fetishize a power play, an unexplained surge, a swell of gels, swooshing in concussion and disharmony, of a phonetic disarray, of a broken break, of a chasmic erotic abstraction in practice. this is the theory of dissonance, the paradigm of a cream fetish, in thrust of dirt, in yawns of gore, in filth and stench of a barbaric theater of excrement, passion and bliss. in the genetics of desire, cold and curdled, this game of songs, this melody of sex, this sonnet of wild, pray to a century of judgments, conventions and bricks.

the label

imagining me in the scrimmage of a maniacal, histrionic, melodic outburst, in trans chains and criss-cross, and a harvest race. accelerated, the quarter notes and hemi-tones racing past, and scurrying forth, in rage, and fear, and a bold triumphant, till the story begins. one day at a time. one moment, one smile. for you E. i have opened my heart, and my inside, my familiarity, my mysteriousness is your belonging. my cold caricatures, my repetitive trillings, my joyous silence are for you to interpret and misread, and erase in conicals the fragrance of lust. for your generality, and your availability, a waking step and a cold clique, the prune coquettes, and the heave of vinegar -caustic, harsh, and distant. to second guess, and double take, to stand up and disbelieve, to tremor and plaster a cellophane imagery, in a generic embrace, love-encased, encapsulated in the chiffonnade of love, renewal and art. in the distinguishings of our bodies, our consoles, and race, in reams of a deeper meaning, for you, rain cloud, the cloak sublimes. in rhyme, in smile, in loss of words, we steal the smells of morning doves. in sparrow calls, and falls of the new ventilatory lung mechanics, the beginning of a history of the ethnic, the besotted and the roof paradise.